![studio one review studio one review](https://pae-web.presonusmusic.com/uploads/products/media/images/studio_one-new05.jpg)
![studio one review studio one review](https://www.arsov.net/WP-Soundbytes/wordpress/wp-content/uploads/2013/07/StudioOne.jpg)
Although it's still clearly geared for electronic music production "in the box," as opposed to recording live musicians playing acoustic instruments, you can record or create just about any kind of audio project with it. Image-Line's FL Studio, known affectionately by long-term fans as FruityLoops (the app's original name, when it debuted in 1998), has matured into a powerful digital audio workstation (DAW).
#Studio one review how to#
![studio one review studio one review](https://labfreq.com/wp-content/uploads/2019/04/Studio-One-3-Project-View.png)
#Studio one review Pc#
How to Record the Screen on Your Windows PC or Mac.How to Convert YouTube Videos to MP3 Files.How to Save Money on Your Cell Phone Bill.
#Studio one review free#
How to Free Up Space on Your iPhone or iPad.How to Block Robotexts and Spam Messages.A focus on reggae requires shedding some light on rocksteady, and Studio One Rocksteady 2 is a vivid celebration. (Just don’t concentrate too hard on the lyrics, which describe what it’s like to be left waiting.)īreathing a different type of life into American soul, rocksteady also opened the door to the reggae of the ’70s: the bouncy lyrics and keys of “Rub Up Push Up” point directly towards later reggae. Every February, it’s officially Reggae Month in Jamaica, with a jam-packed schedule of events emphasizing the country’s striking cultural richness. It’s also Hortense’s pure tone that makes the collection’s opening track-a version of Chicago soul singer Billy Stewart’s “Sitting in the Park”-as pleasant an experience to listen to as, well, sitting in the park on a warm day. Rocksteady is a perfect music for swaying and slow dancing it’s no wonder that folks will still couple up for tunes like Hortense and Alton Ellis’ “Breaking Up Is Hard to Do,” another gem here. It’s well known that Studio One instrumental rhythms (referred to as “riddims”) have been used over and over again, and many originated as rocksteady standards. Many of the singers and instrumentalists on Rocksteady 2 can also claim the pedigree of the equally legendary Alpha Boys’ School: Vin Gordon on trombone during “Change Your Style,” for example, and Karl “Cannonball” Bryan fronting Cannon & the Soul Vendors on “Bad Treatment.” The collection provides early evidence of John Holt’s talents, from his “Strange Things” performance, to his vocal duties as the Paragons, to exhorting a lover over hooliganism on “Change Your Style.” Rocksteady 2 also demonstrates the enduring popularity Jamaican sounds: Alton Ellis’ “I’m Still in Love With You” remains a dancehall classic thanks to Sean Paul and Sasha’s early-’00s cover. The two styles work well together, and Studio One Rocksteady 2 shows just how, underlining the influence of soul music on the mid-1960s Jamaican genre. As historian Steve Barrow writes in the liner notes, “many of the tracks on this set could easily be considered as yet another regional style of American soul music.” Case in point: the mournful horn solo in Delroy Wilson’s “Riding for a Fall,” a cover of song from the Atlanta vocal group the Tams, which matches the original’s message of relationship disappointment and pushes the melancholy even more. In the context of street-dance, when huge stacks of speakers emit a range of rocksteady tunes, there’s usually an accompanying U.S.